Madison hessian slay-in for IDoS – report and pics

June 17th, 2009

Thanks to “Jim Necroslaughter” we now have photos and a full report of the hessian slay-in that took place in Madison, Wisconsin, this past June 6th for International Day of Slayer:

Saturday June 6th, 2009, was a rainy, overcast day in Madison, Wisconsin. Appropriate for the Inter-National Day of Slayer, I suppose. While the rain may have deterred some people (flaky Madison liberals) from showing up that day, the proud few stuck out the rain from 10 AM to 4 PM at Library Mall, in the heart of downtown Madison.

Within 15 minutes of setting up, a random, street-urchin type, riding a bike, stopped by and offered me a hit off the glass pipe he had hidden in his hand – “this is the green, right here,” he said. In the right situation I would partake, but I figured this wasn’t the time or the place, so I passed. I found it funny that this was the first time in my life that a complete random offered me weed – in public, no less. The IDoS brings good karma I guess.

After about an hour, a completely unassuming 20-something year old, came up and asked me, “Is it REALLY the National Day of Slayer!?” We talked for 15 minutes about the best Slayer album (I told him South of Heaven), and metal, in general. I gave him a flyer and mentioned anus.com a few times. He was extremely fun to talk to – a balding, “conservatively” dressed young man that actually knew quite a bit about metal. He was really excited about the fact that it was the National Day of Slayer, and it was clear that he wasn’t taking the holiday as a joke or with a sense of irony.

At one point, early on, I remember two University of Wisconsin campus tours being forced to walk by us – haha! These tours are essentially for high-school kids and their parents who are trying to decide on where to go to college next fall. I’m pretty sure Reign in Blood was playing at that point – perfect!

The next person I remember talking to was a very old man. He was looking at our signs and came up to me and in a thick German accent, he said “June 6th is also D-Day.” I told him we knew that, and he told me a great story about how he was 14 and living in Nazi Germany on D-Day (so I guess that would make him 79, today). He asked me, “What is this ‘metal,’ is it the music you listen to?” I confirmed that it was, and I told him I also listen to classical. He asked me, who is your favorite composer? I told him Beethoven. He seemed very pleased with my answer, and said something to the effect of: “Beethoven makes you think that the entire universe was created just so that Beethoven could exist.” The old man was a pleasure to talk to, especially with Hell Awaits blasting in the background!

Let’s see. I remember an older woman (must have been 40) coming up and taking a flyer. I remember an older couple (around 40 or 50) coming up and hanging out for about 10 minutes – the wife seemed to know her Slayer pretty well, all things considered. A group of young African-American men and women stopped by for a few minutes and chatted us up, took a few flyers, and seemed pretty amused about the whole thing. There was a church about 100 yards away and sure enough, there was a wedding that day. A few of the groomsmen walked by at one point and raised a beer. At one point, I remember explaining to a man why Slayer was the perfect spokesband for metal – they are popular, but not total sell-outs, essentially. Nat’l Day of Darkthrone is too obscure, but Nat’l Day of Metallica is too HIV positive.

The best group of people that stopped by was a German family (more Germans!). They all had accents but they essentially spoke perfect English, I gathered that they live in America or visit it a lot. Anyway, the mom and dad stood back and had huge smiles on their face. The two sons and daughter were REALLY excited about our set-up! They said this was the best thing they had seen in months, they loved our signs (the daughter especially liked the “No Hipsters” sign), and took a bunch of pictures. We talked for probably 20 minutes; the one son really knew his black metal – he opened up his wallet and showed me his old I.D. from Deutschland. He said, “this was when I was 15 and had long hair – I used to be a sinner!” Pretty good line, I thought.

All in all I was pretty surprised at how we attracted a pretty diverse crowd – men, women, black, white, German, young, old, long hair, balding, street-urchins, groomsmen. At the end of the day, I realize that some people who stopped by probably thought we were being ironic, and to some extent, I know that we attracted some hipster-types. But I know I made some contact with some authentic people who will hopefully, ultimately, check out anus.com.

Improvements for next year:

- Red dye for the fountain in the middle of Library Mall.

- A goat chained to a tree

- A bigger/louder stereo!

And some pictures of the gathering (click to enlarge):

Hail Slayer!

IDoS Activism

Hessian picket signs

Tables

No hipsters allowed

Hessian

We at the Hessian Studies Center would like to congratulate the few, but brave ones that took this initiative for activism and showed local people that hessians are a group aware of themselves and that metal is a valid subculture. We also thanks Jim for his detailed report on the gathering and extend our kudos to the old man for his profound saying on Beethoven‘s music.

From the past comes the storms: metal’s connection to the past

June 15th, 2009

black-sabbath-tyr-1990-downloadMetal, through its lyricism and imagery, and some might say, its feeling, tries in a very obvious way to link itself to the past, whether by telling the story of the armies that fought in World War II or by describing things that happened in a far more remote past time, like events so past us that they become almost mythical. Why is that?

As previously commented on another post, metal not only is an alternative to modernity as a way to see and understand life, but its opposite. And that was intended from the very beginning…a rebellion towards what metal artists saw as a complacent world filled with domesticated robots disconnected from their environment.

As a counterposition towards that mentality, heavy metal offers an inspired vision of how things were in a past when life was a lot more violent and rougher, and yet strangely, healthier for the challenges it offered daily. We can see that connection most obviously in heavy and speed/thrash metal, but the more compositionally advanced forms of extreme metal aren’t divorced from the idea either.

In that approach there is a unique message implied, which is: by arriving to a materially advanced state of civilization in which life is safer, we’d actually done a devil’s bargain – we have completely moved away from doing things that may potentially be hurting and unsafe, unlike those times in which life was violent and challenging and yet, despite that, we lived in a state of connection with nature made by the very things that threatened us each day.

Most of the people living now don’t know how to make a fire or wield a sword because they don’t need to: we got gas ovens and professional armies now, which are certainly great things to have in this modern age, no doubt, but the problem lies in that we have skewed challenges altogether expecting that everything be given to us in a silver platter. In other words: we have domesticated ourselves, and in the process we have lost a part of our souls. Suddenly, life no longer has meaning besides getting new things to make ourselves happy and more comfortable.

That’s what metal is against, and by rescuing the past it tries to give us lessons, like a grandfather telling a story of his own childhood in order to communicate an experience we young people might find usable. In the same way, metal gives us, red-blooded people with a thirst for life and challenge, an alternative view to the conformism we see everyday around us.

Along the black mountainside scattered
By the campfires awaiting the dawn
Two times a hundred men in battles
Tried by the steel in the arrow axe and the sword

By battle worn hunger torn awaitening
For the sun to break through the cold haze
And for the banners of Ebal to appear
On the hill in the suns first warm rays

The elder among the men looked deep into
The fire and spoke loud with pride
Tomorrow is a fine day to die

Bathory – A Fine Day to Die – “Blood, Fire, Death” album

Lyrics like the above evoke awful images to most people, but for the hessian, beneath the death, the blood and the fighting, there is a quest for glory and self-improvement and, as modern day warriors, we are able by listening and understanding the music to feel a part of the rush that ancient warriors must have felt.

greek-battle-of-marathon-1Bands like Manowar, Motörhead, Bolt Thrower, Omen, Dio and, of course, Iron Maiden have brought the past to the table many times for that reason, and many bands have made entire careers out of it. They evoke a time we want to revive in our hearts for daily inspiration.

Yet, as romantic our souls may be, we don’t want to repeat the errors of the past as much as we don’t want to screw things up as badly as modern peoples.

And this is why metal also takes the idea of evocation further by exploring the mythical world of fantasy. But that’s another topic. In the meantime, let us hessians rescue the past, both through music and books and learn from it so we can be the ancient men of the modern ages. The past lives on us!

Online mixtape with the best of current underground metal added to the site

June 8th, 2009

The list below is a sample of what we believe is the best of the current crop of underground metal, made in order to keep both newcomers to the genre as well as experienced hessians aware of what good metal music is in the post-1995 era.

Underground Death / Black / Doom metal

While many of you might feel that a lot of bands are missing from this list, we don’t…this selection was made from a huge list of tracks and culled in order to preserve what is best musically…beyond any social pretensions and whining from scenesters.

We made this with objectivity in judgement and compromise, both towards the metal subculture and also to you, to make sure that you’re trading your hard earned cash for lasting music of passion and meaning.

Of course, this list will be updated every once in a while with new music as soon as a new worthy album is released/discovered by our team of dedicated bangers. Enjoy!

Hessian Studies flyer available for download

June 8th, 2009

HSC flyer in printable PDF format

Thanks to grandinquisitor2 from the Metal Hall forum for making this flyer in demand of an academic hessian studies program.

Print it and deliver everywhere in your campus. Demand the right for intellectual recognition of the hessian subculture!

A merry and most headbangable International Day of Slayer to all!

June 6th, 2009

This is the album you should be playing today

Today, June 6th, is International Day of Slayer. Many dedicated people, among them the fearsome IDoS task force, have worked to make this event the biggest yet.

You may ask, if interested (and damn you if you’re not), what can one do to celebrate and fully enjoy this day? Easy: by incommodating your parents/neighbours/girlfriend/dog all day long, playing your favorite Slayer(s) album(s) at maximum volume.

But I feel that what’s been said is enough, and we shall preach no more. Today, blast yer speakers through the boundaries of hell! NO APPARENT MOTIVE, JUST KILL AND KILL AGAIN!!

Links:

Comprehensive Slayer history @ slayerized.com

Facts you probably didn’t know about Slayer, also @ slayerized.com

mp3 and FLAC bootlegs (in case some of you poseurs don’t have a Slayer album handy for today):

Slayer – Live 1984-1992

Slayer – Violent Brains – Live in Netherlands – May 28th, 1985

Slayer 1985-06-20 Blue Moon Circus, Oberhausen (soundboard – FLAC)

Slayer – Slayer – October 4, 1990 – Rheingoldhalle – Mainz, Germany FLAC:
Part 1
Part 2
Part 3
Part 4

Slayer – Live Dead (Unreleased)
Part 1
Part 2

Slayer Backing Tracks – bass and drum tracks to the first five albums (Unspeakably cool resource. I think instead of Slayer I’m going to be playing along “Chemical Warfare” all day on the guitar >:-] )

What is an elective culture and why does it apply to hessians?

June 5th, 2009

headbangers

You may have noticed in previous posts on this blog the phrase “elective culture” and its application to the definition of hessianism. Basically, our assertion is that hessianism is a culture in which you’re not born into. “Elective” implies here the power of choice, as all of us in some moment in our lives (early teenage years in most cases) chose to become die hard metalheads as we became enraptured by the power metal gives.

But what is the necessity for “elective cultures”? Did we have these in the past, or are these an exclusive phenomenon of our times? To answer these questions, we need to look at the bigger perspective.

Western peoples have for many decades been experiencing a lost of meaning. Being on the lead in expanding the universal ideals of free market, multiculturalism and relentless economic growth first sponsored by the USA, we have been for quite some time forgetting the value of the original cultures which once defined us.

The generations born after the 60s decade (that’s most of us) met with an unusual circunstance not known in previous eras: the lack of a general foundation in which to comprehend life and base one’s purpose in it. This role was previously given by one’s own culture. As the generations pass it’s becomming more and more difficult to find a meaning to life besides consumerism, hedonism and blind obedience to the system.

It’s not unusual, if one understands human nature, that at the lack of something fundamental one looks for a replacement to compensate. In the plethora of different groupings which characterize our modern pluralistic societies (meaning, not defined by a single culture, but by many sharing the same space), the replacement can only come in what is called an “elective culture”. Among them we have examples in certain neo-paganist sects, sports culture incarnated in dedication and fanaticism for a particular club, and hessianism, or metal culture.

Culture simply means any way of life, any way of being, any form of art. So ‘elective cultures’ like metal are just as much cultures as anything else. However, the question of legitimacy you raise seems to imply the question of whether elective cultures like metal are seen as legitimate in pluralistic societies. While the old ‘high-low culture’ distinction still remains in some parts of society, it is much weaker than it used to be. These days, most people who hate metal would still probably concede that it forms a unique cultural space.

International Day of Slayer asks the Experts: is this a good idea?

I shall go further: by sponsoring a world-view based on nature’s law and extreme realism, hessianism not only becomes a viable alternative to modernism, but its opposite. Metal lyrics and themes have quite an obsession with the past, and from the past it draws its values: heroism, warrior spirit, channeled aggression towards a noble end, etc. These are antagonistic to the modern view of life of comfort and materialism.

Now, in some of you may arise the question: are hessians born or made? Are the values of hessianism so different from the norm that you need to have certain innate psychological qualities, like an unusual lust for power? “I was born to play/listen to metal” is an assertion we hear many times from hessians. How “elective” is metal culture really? If the application of the EC label is more ambiguous than we believe, then, can hessian culture become at some point non-elective? We’ll try to touch the subject on another post.

Scientific study states genetic basis of musical competence and links music with communication

June 2nd, 2009

Shedding more light on our statement that artistic aptitude in metal is a rare trait, a University of HELLsinki study reveals that musicality is more of an inborn characteristic than most think:

In the study high music test scores were significantly associated with creative functions in music (p< .0001), suggesting composing, improvising and arranging music demands musical aptitude. Creativity is a multifactorial genetic trait involving a complex network made up of a number of genes and environment. Here was shown for the first time that the creative functions in music have a strong genetic component (h2 =.84; composing h2 =.40; arranging h2 =.46; improvising h2 = .62) in Finnish multigenerational families. Additionally the heritability estimates of the musical aptitude were remarkable.

To elucidate the neurobiological basis of music in human evolution and communication the researchers demonstrated an association of arginine vasopressin receptor 1A (AVPR1A) gene variants with musical aptitude. In the previous studies the AVPR1A gene and its homologies have been associated with social, emotional and behavioral traits, including pair bonding and parenting. The results suggest that the neurobiology of music perception and production is related to the pathways affecting intrinsic attachment behavior.

"Music is social communication between individuals," says Liisa Ukkola. "Darwin proposed that singing is used to attract the opposite sex. Furthermore, lullabies are implied to attach infant to a parent and singing or playing music together may add group cohesion. Thus, it is justified to hypothesize that music perception and creativity in music are linked to the same phenotypic spectrum of human cognitive social skills, like human bonding and altruism both associated with AVPR1A. We have shown for the first time in the molecular level that music perception has an attachment creating impact."

Sciene Daily – Genetic Basis Of Musical Aptitude: Neurobiology Of Musicality Related To Intrinsic Attachment Behavior

In more layman terms: ability in music, meaning not just technical skill but creativity and general talent at composing and improvising, is determined mostly by the genes. Not just that, it is also claimed that music making is intimately related with the human traits associated with bonding and communication with other human beings: we use music to transmit to each other ideas so complex that we would be unable to convey with speaking or gestures and do so because we care about communicating those ideas to the world.

All of this data makes one thinks twice about supporting each and every band that comes our way. Not everyone can be an artist and create great, trascendental works, so why should we keep encouraging participation in the metal scene when we can be more concerned about quality and not quantity?

Read more:

- Motivation – what makes metal musicians write music?

- Knowing the music you listen to is key to strengthening yourself and the metal culture

June 6 Slay-in – Hessian meeting at Madison, Wisconsin for IDoS

May 23rd, 2009

Madison hessians will hold a Slay-In in their local city for this year’s International Day of Slayer. The delightful event will take place at the Library Mall located at one end of State St. (walking to the opposite side of where the Wisconsin State Capitol Building is located).


Ver Hessian meeting for IDoS (June 6, 2009) en un mapa más grande

The event’s organizer will be “Jim Necroslaughter”. His contact e-mail is vilekyle1[@]gmail[.]com. The Slay-in will take place from 10 AM to 4 PM this June 6. If you’re a Wisconsin hessian, be there, and show your support for Slayer and the metal subculture.

The people behind this have also created a Facebook group to let everyone know of any changes.

Needless to say, if you’re assembling a Slay-in in your local city / town for this Most Holy Day of Hessians Everywhere, and want us to help you promote it, use the Hessian contact form to get in touch with us and we’ll ask you the details of the meeting in order to post it here.

We wish the people at Madison the best of lucks for this glorious day!!

Burzum’s Varg Vikernes gets released from jail

May 23rd, 2009

From Blabbermouth:

Varg Vikernes (a.k.a. Count Grishnackh), the former BURZUM mastermind who was convicted of murdering MAYHEM guitarist Oystein Aarseth (a.k.a. Euronymous) in August 1993 and setting fire to three churches, is a free man.

“I can confirm that I have been released from prison,” Vikernes told Norway’s Dagbladet.

Although his parole application was denied four times — most recently in September 2008 — Vikernes received word in February that he would be released after serving almost 16 years in prison. He was finally allowed to leave a couple of weeks ago, according to Dagbladet.

“I will have to report [to the parole officer] for one year — initially every two weeks, and then once a month,” Vikernes said.

(…)

“I’m ready for society — and I have been for many years,” Vikernes told Dagbladet last July. “I have learned from my mistakes and become older. Now I just want to be together with my family.”

“I miss my family. And I look forward the day that I could work on my farm, create music, write books and be with the wife and kids around the clock — and live a normal life.

Blabbermouth.net – Varg Vikernes is a free man!

We at the Hessian Studies Center wish the best of lucks to Mr. Vikernes and his family in any of their future endeavours. We also hope that he will be able to accomplish a bright career out of his projected writings and music.

Burzum album reviews

A selection of Vikernes’ writings:

Europe and Europe’s Soul

Paganism Part X – The Origin and Purpose of Religion

A Burzum story – Part I – Origin and Meaning

A Burzum story – Part VI – The Music

Filosofem’s lyrics and stories translated into english

Knowing the music you listen to is key to strengthening yourself and the metal subculture

May 22nd, 2009

I guess the following affirmation will not be a newsflash to anyone reading this, but most music sucks. What makes bad music? A number of things which are numerous and complex, but which can be distilled for the sake of simplicity into the following list:

- Poor playing/technique
- Wrong choice in production values
- Musical instruments of low quality
- Bad composition
- Lack of ideas
- The wrong motivation, or no motivation at all, for having a band and composing music.

The first three factors influence what can be called the “body” of music, or the shell, the sound itself, while the following three are part of the “soul”, the inner side of it which is the most important thing to consider as it greatly influences the “body” as well.

Read the rest of this entry »